It’s questionable if, during the 80s, when he raised the flag of New York’s underground gore Cinema of Transgression and shot for porn mags, Richard Kern had visualised himself decades later: shooting Instagram-friendly young models and interviewing them about their dreams, aspirations and addictions with the tenderness of a kooky uncle. Kern’s lifelong career is characterised by an unending adaptation to the constantly shifting social patterns of each epoch. What has remained constant is his liberating depiction of young women. He celebrated the girl-next-door concept before it was cool, handing down a legacy for a new generation of artists—like Petra Collins, his muse and protégée—to play with and take a step further through a female lens. Yearning, desire and nostalgia are not only the characteristics of a Richard Kern photograph—they are also the virtues behind his charming personality. After our Skype started, I was feeling safe and relaxed enough (I guess that’s a talent one masters after shooting some hundreds of nude teenagers) to share my own Richard Kern “transcendental” experience. Continue reading “Richard Kern talks to Stamatia Dimitrakopoulos”
