Fear: An overwhelming awe towards the divine; the dread we feel in our everyday existence; an experience of the unexpected that leads to panic.
This powerful emotion has long been immortalised in art and poetry. And now, for its 29th issue, Dapper Dan explores the important relationship we have with the cult of fear today. Continue reading “Dapper Dan 29 is out!”
For its 28th issue, DAPPER DAN embarks on a journey to The Invisible City—a fictitious metropolis without borders, tied together by shared beliefs, memories and chance. A tribute to the communities, friends and neighbourhoods we encounter within the fertile terrains of the magazine. Continue reading “Dapper Dan 28 is out!”
There’s something unsettling about obsession.
It’s an energy that powers action from the depths of the deepest blue and drives us to create, interpret or worship without explanation.
When inspiration strikes, obsession drives us on.
This issue of Dapper Dan is an homage to sources of rapture and joy, to the people, places and objects that keep us enthralled.
Is this what “normal” looks like? This issue we’re looking at anger, loss, uncertainty and creative, connective opportunities that come through engaging with the instability of our experience.
Artist Thomas Houseago talks about how Nick Cave inspired him to return to art and how he sees Brad Pitt as his brother. Dr Nelly Ben Hayoun–Stépanian discusses manufacturing the impossible, her work constructing playful experiences that mix science and creativity while challenging the status quo. Canadian artist Terence Koh invites us to explore his new treehouse project in New York and researcher Alfie Bown deconstructs how technology is dictating our desires.
Dapper Dan’s 22nd issue sees menswear and philosophy unfold during unprecedented times. We form ideas, sentences, objects, garments and images into our magazine.
Our writers uncover the inimitable ideas of GmbH designers Serhat Isik and Benjamin Alexander Huseby, groundbreaking digital designer Jon Emmony and critically acclaimed filmmaker Matt Wolf.
Through the pandemic’s preferred means of online communication, architect Jack Self talks to Lara Johnson-Wheeler and Filep Motwary calls artist Berlinde De Bruyckere at home.
In the literary sphere, writer Paul Mendez discusses his debut work, Rainbow Milk, and British-born, Cypriot poet Anthony Anaxagorou calls out oppression and othering.
Each reforms language into art on the page, questioning the structure of words.
Objects—Margiela’s Tabi brogues, Sacai jewels, shoes by Camper and Jil Sander shirts—are at rest, while the bright young things in modelling move, restless before our photographers’ lenses.
Rebecca Solnit wrote, “Inside the word ‘emergency’ is ‘emerge’; from an emergency new things come forth.” The work we’ve crafted, in the pages of Dapper Dan, questions the form of what came before, bringing the new to the fore.
In this, our 20th issue, Dapper Dan is the everyman. We explore the sense of self in the individual. We explore the mood of individualism at the core of current fashion. In the pages of our magazine, modern masculinity plays out. Continue reading “Dapper Dan 20 is Out!”
Dapper Dan 19 looks at how we—as artists, writers, thinkers—carve out time and space in a world that bombards us constantly, keeping us ever-notified. In the pages of our magazine, we build new rules. We champion those who move against this mechanism, embracing iconoclasm in an Instagram age. We question Raven Smith’s content and commentary, Samuel Ross’s garments and products, and Andrew Bolton’s curation and exhibitions. We showcase duo FAKA’s radical singularity and the structures in tailor Daniel Haworth’s craft. We shoot Celine SS19 and capture Zegna’s collection, placing garments alongside objects to reveal both the inanimate and the human.
Menswear and philosophy are mined. Ideas are distilled. Dapper Dan 19 explores the intimacies of alienation, a new individualism.
Nick Knight considers the communication of beauty, while Mike Meiré expounds upon ugly. In this magazine, images and print are held up, analysed, lauded in close conversation. Dries Van Noten reflects on revelation. Garments are drawn out, draped, drooled over, before being styled and shot. As we pit banality and intricacy against each other, objects are upended and suspended. Klaus Stockhausen turns tables, Olivier Saillard turns his eye to design and James Massiah turns his back on faith.
Menswear and philosophy merge and melt, each concept drowning the other to become unrecognisable. Here, ideas are distilled. Among pages of print, DAPPER DAN turns 18
DAPPER DAN explores Anthony Vaccarello’s continuing transformation of Saint Laurent’s menswear in a film featuring Lennon Gallagher wearing Saint Laurent by Anthony Vaccarello SS18, shot in Volax, Tinos
